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have killed the grandson of Grandma Learn to steal the mobile. Despite the pain that this act of violence occurs, the old woman must care for the burial. She and her family are poor and do not have enough money to buy a coffin and pay a lawyer to deal with the complaint against the accused. But Grandma is willing to Learn even borrow from the bank to give a decent burial to her grandson and that justice is done.

Grandma

puring is determined to get his grandson Matthew of jail, although he accused of killing without reason to Know Grandma grandson. But the elderly are poor and do not have the money for bail. Every time he goes to him and has decent food, it breaks my heart to see him languishing behind bars with others in the same situation.

At first glance, the two grandmothers are facing. Both are weak and poor, and everyone wants to do the best for your grandson. The future of the case depends on love of grandmothers ...

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SYNOPSIS DIRECTOR COMMENTS BRIGHT SHINING MENDOZA MENDOZA BIOGRAPHY

our humanity can be weighed in the scales of justice. In LOLA, a crime tests the strength and fragility of two elderly women. A proves to be weak and the other strong. Maintaining the balance of humanity and, like in nature, the fittest survives. But the value of human beings is governed by the social ladder.

Lola

"Lola" means "grandmother" in Tagalog. Filipinos respect their elders, especially the grandparents. Respect for elders is something that can boast the Filipino people today and for years to come. The grandparents are having a major role in the family, and family ties of Filipinos are very strong. If the parents are, grandparents caring for grandchildren. Often they are treated better than they treated their children to the point of pampering too.

Grandmothers

In LOLA, both grandmothers are performed by professional actresses. Already had in mind the two writer-performers when I conceived the story two years ago. Anita Linda plays Lola Sepa and has 84 years, and Rustica Carpio, 79, is Lola puring. Always a pleasure to work with professionals like them. Did not complain even once during the shoot despite the difficulties we encounter.

Barrios flooded

shot in Malabon in Metro Manila. This area is about 45 minutes from downtown and is flooded throughout the year. The water level rises or falls depending on the amount of rainfall. People who live in the neighborhood is because he has nowhere to go. I decided to shoot there to show under what conditions people living in the area, to which they face every day and how they have adapted to the environment. Despite the appalling conditions in which they live, go ahead and find solutions to their loved ones, as seen in LOLA.

rainy season

in June I shot the film during the rainy season, because I wanted a gray atmosphere that evokes the pain of the two grandmothers. However, rain and wind are special effects. We could not truly independent of rain if the camera crew and lighting was wet. It is also very dangerous to have wires everywhere when it pours.

Water is a symbol LOLA. Water is the source of life, but also tight and is a source of disease. It can float on water and drown.

The funeral

The funeral procession seen in LOLA is typical of the flooded areas. Also, very famous processions are held in the Philippines during the rainy season. The person who falls into the water at the beginning of the funeral scene was a thing of assistant director and me. We wanted to surprise the extras, and it was. Everyone laughed, breaking the silence and solemnity of the scene.

In actual fact

The film is based on a true story. The action takes place during the rainy season not only to show how hard it is to live in that area, but also because the atmosphere gloomy feelings stresses and the struggle of the two protagonists. Filipinos are born survivors. For them, the hardships are part of life, and never lose hope. Often find solace in prayer.

Jail

All prison scenes were filmed in a real prison. The extras are prisoners and guards in real life, except for the masseur, played by the assistant director.

paperwork and bureaucracy

Modern life in the Philippines, as in any industrialized country, can be complicated for the elderly. The city life is fast and frantic. It is often considered the elderly as a burden because they are slow and have antiquated customs. Today everything is within reach of the keyboard, but in a developing country is much more complicated, and even more for the elderly, because of the paperwork and bureaucracy.

mobile thefts and money

LOLA In theft highlighted phones. In the Philippines, bail for stealing a mobile phone is higher than for other objects due to the considerable amount of stolen phones, especially among young people richer. Having a next-generation phone is a status symbol among teenagers.

The film opens with a shot of money, and money plays an important role at the end of the film. The money is the root of all evil. In LOLA is tested humanity of the two grandmothers by the needs of their loved ones, not their own.

expenses of life and death depend on one's social status. The richer, more expensive it will die. But if you are poor, even life is negotiable.

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cast and crew

LOLA is the second film by Brillante Mendoza produced in 2009. The other Kinatay , competed in the Cannes Film Festival that year he won the prestigious award for Best Director. LOLA is the first Filipino film to compete at the Venice Film Festival since 1985.

Previously, Brillante Mendoza also made history in 2008 when Serbis was the first Filipino film to compete in the Official Cannes Film Festival since 1984.

Born in San Fernando, Philippines. He studied Fine Arts and Advertising University of Santo Tomas in Manila. Before becoming director, he worked as production designer on films, commercials and theater.

FILMOGRAPHY

2009 Lola

2009 Kinatay

2008 Servo (Service)

2007 shooter

2007 Foster Child

2006 ; Manor (The teacher)

KALELDO 2006 (Summer Heat)

2005 Masah (Massage)

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CAST

.............................. Know Lola .................................................. ........... ANITA LINDA

Lola puring ...................................... ........................................... CARPIO RURAL

Ditas ....................................... .................................................. ...... TANYA GOMEZ

Bebong (brother of Matthew) .................................. ..................... Jhong Hilario

Matthew (The defendant) ................................... .............................. KETCHUP EUSEBIO

TASK

Director ................................................. ........................... Brillante Mendoza

Writer ....................................... ............................................. LINDA CASIMIRO

Producer ....................................... ........................................ Ferdinand Lapuz

Executive Producer ...................................... .................................. Didier Costet

Cinematographer ..................................... .......................... FLORES ODYSSEY

Production Design ...................................... ......................... DANTE MENDOZA

....................................... Editor ................................................ KATS Serraona

Sound ..................................... ................................. MICHAEL ALBERT LANGUAGE

....................................... .................................................. ............ ADDISS Tabong

Music ................................................ ...................................... TERESA Barroza

Year .................................... .................................................. ................................. 2009

Duration ........................................ .................................................. ...................... 110 '

Language ..................................... .................................................. ........... Tagalog - English

Countries ........................................... .................................................. .. France - Philippines

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THE PRESS HAS SAID

Excessif - *****

; A stunning film that whispers rather than shouting.

Le Monde - *****

Brillante Mendoza signed a chronicle of a humanism impressive.

Metro - *****

A gold nugget can not miss if you like the "other cinema". A marvel.

20 Minutes - ****

An exciting film.

Elle - Françoise Delbecq ****

Pride.

Le Figaroscope - ****

A wise and sensitive film.

Le Journal du Dimanche - ****

Amazing .

Ouest France - ****

A direct cinema and stripped that touches the heart.

Libération - ***

A film interesting and often fascinating.

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